- SONY SOUND FORGE PRO 10 HOW TO
- SONY SOUND FORGE PRO 10 PRO
- SONY SOUND FORGE PRO 10 SOFTWARE
- SONY SOUND FORGE PRO 10 TRIAL
- SONY SOUND FORGE PRO 10 PROFESSIONAL
SONY SOUND FORGE PRO 10 TRIAL
Of course, this is my personal opinion, but you can download a trial version here and try it for yourself.Īt the time this is being written the price is $279 USD. But otherwise, this is a tool that leads you to the finish line more quickly than most of its competitors. Some small details could be improved, like certain graphic choices and so on.
SONY SOUND FORGE PRO 10 SOFTWARE
It’s no secret that I choose to review only software that I like in the first place, and, yes, I really like this application.
SONY SOUND FORGE PRO 10 PRO
Sound Forge Pro would be my choice for the types of work described earlier (sample preparation, broadcast audio editing, and other tasks in the same range). The competing professional-level audio editors offering mastering tools provide similar capabilities, so it is up to you to pick the one you prefer. Regarding mastering, that may be a closer call. (included iZotope Ozone 9 Elements and iZotope Rx-8 Elemenents) The audio editing workflow is quite amazing, and the audio cleaning options that come with the Pro version are fully up to the task as well. It offers some really user-friendly, time-saving options that I would not have even dreamed of just a year or two ago.
SONY SOUND FORGE PRO 10 PROFESSIONAL
So, we can easily say it is fairly priced – at least, for software intended for professional purposes as opposed to just an afternoon hobby sort of application.įor podcasts, broadcast audio, audio editing for video clips, and other similar tasks, it is a dream come true. The toolset you get is more than adequate for any audio purpose. But it is less expensive than some other similar software, at least with the current discount being offered on the Magix product page (URL at the end). The asking price for this software is not the lowest one in the category. Mastering capabilities are competitive with other top-of-the-line audio editors, but as mentioned earlier, for many common tasks, Sound Forge has a way to go. Cleaning, editing and exporting audio is absolutely at the most user-friendly level. Also with various streaming platform standards available as an option at the output, setting the overall level for different targets with just one click is pure joy. Audio cleanup capabilities are at a high level and work just perfectly – absolutely no complaints here. With some third-party software that is implemented inside the Pro version, you can do all sorts of Magix … er, magic. Sound Forge Pro 16 is quite a complex animal and it would be nice to get some free cookies, tea and video clips.īut this is more or less my only criticism.
Not that Magix doesn’t offer some in-depth video files, but it is almost impossible to find them on YouTube.
SONY SOUND FORGE PRO 10 HOW TO
That is really great, but we are living in the year 2022 and I’m used to eating some cookies and drinking tea while watching the video tutorial files explaining how to accomplish some tasks without wasting any additional time trying to navigate through the RTFM files. You have an option to go through various Sound Forge help files that explain various functions and tasks in detail. I don’t mean to say that it’s useless, but come on – the devil lies in details.Īnother mixed emotion concerns tutorials. In my case, I really use it a lot and it really would not hurt to make it more efficient and more user-friendly. After all, an effect rack is a tool that can come in handy in almost any audio task. Well, the effect rack is just one example, but by no means the only one. Hmm … I can hear the developers asking here: “What the … ?”. On the other hand, I also would be thankful if the design of some of the windows could be a bit less early-Windows-like. I’m talking about features like setting ranges very easily, establishing markers during the recording session, switching to just a recording controller’s view, being able to read the text and controlling the recording level at the same time, and much more. It really shines when used in editing podcast audio for broadcast, offering some intelligent editing possibilities with recorded takes that prove to be a dream come true. So, my first (and last) impression of Sound Forge Pro 16 is that I’m quite impressed. In short, I’m quite familiar with various audio editors.
Oh, and I used it to fix voiceovers and audio takes from video clips. I also used to edit audio for use in sampler players, (if anyone still remembers what a sampler player was). I used to do plenty of audio editing in the past, mixing voice and music for radio commercials. So, for me, it is not only what’s new in this latest version but everything that has been added since version 10.
The last version of Sound Forge that I used was Sound Forge 10, the first version that was released by Magix (Sony had previously owned that software).
0 kommentar(er)
